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$21.99

Alanis Morissette - Supposed Former Infatuation Junkie

WebID: M1813649


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Release Info
Distributor:

WEA (Distributor)

Label:

Maverick

Import:

N

Area:

USA

Release Date:

11/03/1998

Original Release Year:

1998

Production Details
Time:

min sec

Mono/Stereo:

Stereo

Production Method
Product Details
Artist(s):

Alanis Morissette

Guest Artist(s):

Benmont Tench

Producer(s):

Glen Ballard; Alanis Morissette

Studio/Live:

Studio

Number Of Discs:

1

UPC:

00093624709428

Genre:

Rock & Pop

Sub-Genre:

Alternative

Format:

CD

Release Notes
Notes

Personnel: Alanis Morissette (vocals, harmonica, flute, piano); Glen Ballard (guitar, piano, synthesizer, programming); Nick Lashley, Joel Shearer (guitar); Benmont Tench (organ, chamberlin); Chris Chaney (bass); Gary Novak (drums, percussion); Shad T. Scott, Christopher Fogel (programming); Dash Mihok (loop).
Engineers: Christopher R. Fogel, Glen Ballard.
Recorded at Royaltone Studios, Los Angeles, California.
"Thank U" was nominated for the 2000 Grammy Award for Best Female Pop Vocal Performance.
Personnel: Alanis Morissette (vocals, flute, harmonica, piano); Glen Ballard (guitar, piano, synthesizer, programming); Joel Shearer, Nick Lashley (guitar); Benmont Tench (organ, chamberlin); Gary Novak (drums, percussion); Chris Fogel, Shad T. Scott (programming).
Audio Mixer: Chris Fogel.
Recording information: Royaltone Studios, L.A., CA.
Photographers: Heather Stanley; Regina Thomas; Dash Mihok; Alanis Morissette.
Alanis has a lot to answer for; in the process of changing the face of '90s pop music, she opened the door to scores of inferior imitators who crowded the charts with their transparent careerist fury. What they missed was the renegade spirit that lurks beneath Morissette's statements off vengeance and dissatisfaction. It's that spirit that enlivens INFATUATION JUNKIE. From awkward title to the unconventional lyrical construction, it's clear that the years between this album and Morisette's previous breakthrough recording have not dulled her iconoclasm or put soft edges on her anger. INFATUATION JUNKIE is at once more immediate and more artfully constructed than its predecessor. Songs like "Baba" are full of thrusting guitars and sledgehammer rhythms, but from "Front Row" to "So Pure," Morissette displays an expanded understanding of pop song mechanics. It's this melodic progression that helps INFATUATION JUNKIE live up to Morissette's daunting past.


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